Twenty years ago, converters changed from 16 or 18-bit to a new, improved resolution of 24-bit. This additional 8 bits of converter resolution was instantly audible and created a demand for 24-bit quality. At Prolight+Sound 2017, DiGiCo will show and, more importantly, allow attendees the opportunity to hear, a newly designed 32-bit 'John Stadius' Mic Pre-Amp for the first time. John and his team have been designing Pre-Amps for over 40 years. Now, this new improvement in converter technology has allowed them to develop a Pre-Amp with audio qualities that they have long aspired to achieve.NEW 32bit Mic Pre-Amp Card
In 2015, DiGiCo launched its compact S-Series, which boasted a modern workflow at an affordable pricepoint; last year, the whole SD Range became much more powerful thanks to the introduction of Core 2 Software across the board; now, in DiGiCo’s 15th year, meet Project Vulcan, the new SD12. The SD12 is set to raise the bar in terms of what users will now come to expect from a compact, affordable, multiapplication digital console.NEW SD12 CONSOLE ALL CONSOLES
The new DiGiCo S App is the perfect way to control your DiGiCo S-Series console straight from your Apple iPad. Designed to be compatible with DiGiCo's S21 and S31, it allows remote, wireless control of any DiGiCo S-Series mixing console wherever you are. The DiGiCo S App permanently displays an overview of the console layout, so you can select any available console bank and have the same user-friendly operation you are already familiar with, without being tied to your console.NEW S-Series iPad App
STEALTH CORE 2
Put a rocket in your DiGiCo console
DiGiCo's range of mixing consoles already sets the world standard. The implementation of a Stealth Core 2 upgrade will take take them into the stratosphere. Über-friendly in use, a Stealth Core 2 upgrade delivers even a barrage of enhancements that will keep your investment safe well into the future.
Take the time to see what our users say about DiGiCo...
I am using an SD8 for the first time for small showcases, small concerts and live radio here. It is great and I can do what I want with no problems. It is the third year I have worked at the festival, but the first year with this console. It is a great product. It sounds great.
Ghislain Butscher - Montreux Jazz Festival
The SD7 has more functionality than previous consoles. It has additions such as dynamic compression and dynamic EQ. The desk surface, although it is not much bigger than that of the D5, feels bigger and there is more capacity.
Andy Baggy Robinson - Monitor Engineer - George Michael
The flexibility and the power of the console also meant I could have a couple of FOH ambient mics, which I time aligned to the main PA via a record matrix by delaying the L-R mix to the ambient mics, I mixed the signals together and mastered them with a Waves plugin to a stereo mix on a USB stick.
Tom Wiggans - FOH Engineer - Bombay Bicycle Club
The matrix section of the DiGiCo is great, as anything can go anywhere
Joe Harling - FOH Enginner - Ellie Goulding
The timecode enables multiple Snapshot sequences to be fired for mix changes within a song, or to allow musical segues to happen seamlessly, so that Jonathan can focus on mixing the show for Robbie. At FOH, much the same timecode removes the need to hit various critical cues between musical transitions and allows Simon to focus on the creative side of mixing and making sure Robbie’s vocal is always heard. This is something not many other desks can do so easily
The DiGiCo SD8 being so compact and flexible is very easy to work with and we use it often for our large productions. You can set it up exactly the way you like and individualize all the channels very easily. And the sound was so beautiful in the Armory.