DiGiCo Digital Mixing Consoles

SD7 MAIN FEATURES

  • 253 (MAX) Input Channels
  • 128 Aux / Sub-Group Busses
  • L/R/LCR Master Bus
  • 32 x 32 Full Processing Matrix
  • 2 Solo
  • 256 Dynamic Equalizers
  • 256 DiGiTuBes
  • 256 Multiband Compressors
  • 48 Digital FX
  • 32 Graphic Equalizers
  • Optional Waves Integration
  • 48/96/192 kHz Sample Rate
  • One loop as standard Optics

SD7 : Overview

DiGiCo SD7: “With great power comes great responsibility...”

If it's everything that you're after, the SD7 is the console for you. Our flagship model offers mind-blowing I/O capabilities and sets new standards in high-density digital processing via our proprietary Stealth mixing and routing engine and game-changing, Super FPGA technology.

To put that into perspective, it delivers eight times the power of our industry standard D5 Live.

Scratching the surface

A combination of technologies have been seamlessly integrated into the SD7's worksurface to meet the everyday needs of any touring engineer. We've managed to pack them into three user-friendly interactive 15-inch high-resolution touch screens, each of which accommodates a bank of 12 faders,  to provide the user with the perfect platform – everything is just 'where it should be'.

To make navigation even easier, we've added high-definition interactive meter bridges and multicoloured knobs and switches; and for further functionality and flexibility, 16 assignable faders (one bank of 12, one bank of four) sit neatly below the master screen in the centre of the console, taking the SD7's fader tally to a sizeable 52.

To increase the fader count further for multi-engineer applications and shows, an EX-007 Fader Expansion unit is available. Two EX-007s can be connected via a simple Cat5e connector for remote control or simply to increase your fader count to 100.

What's under the hood?

If knowledge really is power, SD7 is our Einstein: it boasts a massive 256 processing paths at 48kHz/96kHz (or 128 at 192kHz).

Standard channel processing, whether inputs or outputs, includes Channel Delay, DiGiTube, Single and Multi Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ (eight on outputs) with band curve selection and Dynamic EQ on each band, Dual insert points, DiGiCo's DYN 1 (Compressor, De-esser or Multi Channel Compressor) and DYN 2 (Gate, Compressor or Ducker).

The master section incorporates 32 gangable 32-band graphic EQs, 48 stereo effects, and 36 control groups (VCAs); and using snapshots, engineers can now switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even at a show.

In addition, we've included 128 busses, all of which are assignable as mono/stereo groups or auxiliary busses; and in addition to these busses, for further configurability, we've provided a 32 x 32 output matrix , dual solo busses, and a Master buss. Essentially, users have the equivalent of 160 busses of DSP at their disposal.

Unlike all other digital console manufacturers, you don't lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.

I/O

The SD7's local I/O includes 12 analogue inputs, 12 analogue outputs and 12 AES I/O (mono); and when coupled with a second engine, with four redundant MADI ports per engine, and one Optocore loop with the ability for an option for a second to be fitted.

This amounts to a monumental 1392 I/O connections on a single optic loop with one worksurface.

In addition, there is an optional DiGiCo SoundGrid module which can be fitted to both engines for full redundancy when linked to two external PC servers such as SoundGrids or DiGiGrids. This provides the user with instant access to 32 fully integrated low-latency Waves stereo Multi Racks, each with the ability to have up to eight plugins per rack. That's 128 I/O - and as you'd expect from DiGiCo, this is all additional I/O.

All Waves compatible plugins are pre-loaded, and as this is integral within the console, you have the added advantage of touch screen control; and all shapshots and session files are saved within the console. Click here for more info.

New EX-007

Options

The following options are available:

Specifications subject to change without notice. E&OE

DiGiCo SD7

Live Digital Console with Stealth Digital Processing™

Download PDF Brochure

Looking for recent install and sound rental user stories featuring the DiGiCo SD7?

Over the last year, I have become really comfortable on the desk. The dynamic EQs and multi-band compressors are a must-have for me. They are simply great on vocals or any instrument that needs extra attention. I also utilize the virtual soundcheck on a daily basis. And the SD8 is not just another soul-less digital desk at FOH. It seems that every day somebody comes up to express their enthusiasm on seeing and hearing the SD8. It seems to have taken on a repertoire of its own!

Patrick Hutchinson - FOH Engineer - Disco Biscuits

Since we invested in DiGiCo D5s in 2004, they have been consistently in demand and very reliable. The low cost of ownership, coupled with these factors, has made the consoles produce a great return on what we initially perceived as a high investment cost.

John Penn - MD - SSE Audio Group

I knew that I wanted to use a DiGiCo. I said right up front it was non-negotiable. I am a big fan of DiGiCo and I like the sound of the consoles.

James McCullagh - FOH Engineer

The features of the D5, including compression, EQ, effects, made the workload really easy to manage. Everything is right there should you need it, and I took full advantage of that.

Donnie Smith - Syntonic Design Group

The SD11 was the perfect answer. I also liked the fact that, even though it’s so compact, the SD11 works the same as all the other SD desks. So once you know one of them, you know the others too.

Gert Vreys - FOH Engineer - Geike Arnaert

I have had a great time with the D5 on monitors for Anastacia.It sounds warm and natural, and the fact that it is so intuitive to get around means that I can keep my eyes on Anastacia and the band, and not have to look down too much. There is quite a big dynamic range between her songs, from gentle piano-based ballads to full-on rock, and so the thing that really stood out for me was the snapshots - they are so versatile and user-friendly, I could not have done it without them. It is a fantastic desk, and I really enjoy using it!

Becky Pell - Monitors - Anastacia
Training