DiGiCo Digital Mixing Consoles


  • 48 Input Channels
  • 24 Aux / Sub-Group Busses
  • LR/LCR Master Bus
  • 8 x 8 Full Processing Matrix
  • 2 Solo
  • 83 Dynamic Equalizers
  • 83 DiGiTuBes
  • 83 Multiband Compressors
  • 6 Digital FX
  • 12 Graphic Equalizers
  • Optional Waves Integration
  • 48kHz/96kHz Sample Rate
  • Optional Optics

SD11 : Overview

DiGiCo SD11: “Big things come in small packages.....”

The SD11 is the smallest by far of all the DiGiCo consoles, though don't let that deceive you: this 19-inch rack mount or table top mixer is a very powerful solution that can be incorporated into pretty much any mixing environment; like its bigger brothers, the SD11 is also powered by Stealth Digital Processing and floating point Super FPGA technology, and transporting it couldn't be easier – just pop it on the back seat of the car. This easy-to-use mixer delivers extremely high performance at a staggeringly competitive price point.    

Scratching the surface

The SD11 is manufactured with a steel chassis and a polycarbonate-overlaid aluminium worksurface which makes it super-lightweight. Its user interface comes courtesy of DiGiCo's trademark 15-inch, high resolution TFT LCD touch screen with backlit display; and its 12 touch sensitive moving faders guarantee a simple and intuitive workflow.

What's under the hood?

The SD11 boasts 48 input channels at 48kHz or 96kHz. Standard channel processing, whether inputs or outputs, includes Channel Delay, Single and Multi Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ with band curve selection, Dual insert points, DiGiCo's DYN 1 (Compressor, De-esser or Multi Channel Compressor) and DYN 2 (Gate, Compressor or Ducker).
The console also benefits from 83 Dynamic EQ processors, all of which can be assigned to any of the input or output channels. These powerful processors offer dynamic processing on each of the four standard parametric bands, plus there are 83 Multiband Compressors; and no matter how the console is set up, the user won't lose any resources, as all channels are equipped to provide the same high quality signal path and feature set.
The master section incorporates 12 gangable 32-band graphic EQs, 6 stereo effects (selectable from a palette of 33), and eight control groups (VCAs); and using snapshots, engineers can now switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even at a show.
In addition, we've included 24 busses, all of which are assignable as mono/stereo groups or auxiliary busses; and in addition to these busses, for further configurability, we've provided an 8 x 8 output matrix, dual solo busses, and a Master buss.
Unlike all other digital console manufacturers, you don't lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.


For a little console, the SD11's I/O section is monumental: Local I/O includes 16 mic/line inputs, eight line outs, two mono AES/EBU, one MADI port, and one dedicated D-Rack port.
The D-Rack is an optional 32-input, eight-output remote I/O rack which can be increased to accommodate 16 outputs if desired.
There is also a factory fit Optocore option which allows for connectivity to all DiGiCo racks and consoles in a redundant loop.
In addition, there is an optional DiGiCo SoundGrid module which, when linked to an external PC server such as SoundGrid or DiGiGrid, provides the user with instant access to 32 fully integrated low-latency Waves stereo Multi Racks, each with the ability to have up to eight plugins per rack.  That's 128 I/O - and as you'd expect from DiGiCo, this is all additional I/O.
All Waves compatible plugins are pre-loaded, and as this is integral within the console, you have the added advantage of touch screen control; and all shapshots and session files are saved within the console. Click here for more info.


The following options are available:

Specifications subject to change without notice. E&OE

DiGiCo SD11

Rackmountable /Table Top Digital Console

Download PDF Brochure

Looking for recent install and sound rental user stories featuring the DiGiCo SD11?

All the visiting engineers were completely happy and at home with the console from moment one

Diana Memorial Concert

As well as the excellent sound quality, what we like most about the D5 Live is its flexibility and very quick adjustment of the monitor lines. It makes live shows with multiple artists so much more efficient than processing with an analogue console.

Serhiy Tsesarenk - Sendi

On one particular day, there were six different 25-person choirs in a choir competition, backed up with a rock band. Here I had the 25 head mics pre-mixed on the side console, which worked extremely well.

Mattias Dalin - Eurosound

After attending the White Gloves classes, several of our guys were impressed and wanted to try out the DiGiCos. Since then, we’ve been sub-renting consoles in and the experience has been a pleasure.

Paul Timmins - Capital Sound Hire

I have been mixing on DiGiCo consoles since the start of 2003, and was an analogue guy up to that point. But, since first using a D5, I have never looked back. The SD7 in particular has an even easier work surface to use and that made it an easy console to jump on. From its color-coded knobs, to indents on the graphic EQs, to very clear accurate metering, to easy socket file set up, to bigger and clearer screens with so much information in front of you... there are too many extras to list! I love it! Need I go on?

Paul Ramsay - FOH Engineer The Who

For me, the SD7 really is the state-of-the-art console for the coming years. Since introducing the SD8, my business partner pointed out that there is increasing interest in this console. My purchase decision has already paid dividends, with all consoles out working on a regular basis.

Jurgen Wirth - Alpha Media Solutions