DiGiCo Digital Mixing Consoles

SD10-24 MAIN FEATURES

  • 132 Input Channels
  • 56 Aux / Sub-Group Busses
  • LR/LCR/LCRS/5.1 Master Bus
  • 24 x 24 Full Processing Matrix
  • 2 Solo
  • 218 Dynamic Equalizers
  • 218 DiGiTuBes
  • 218 Multiband Compressors
  • 24 Digital FX
  • 24 Graphic Equalizers
  • Optional Waves Integration
  • 48/96kHz Sample Rate
  • Factory Order only Optics

SD10-24 : Overview

DiGiCo SD10-24: “Powers of Ten explained...”

The SD10-24 includes many of our flagship SD7's features and benefits, including Stealth Digital Processing and floating-point Super FPGA technology, and provides a fully-loaded feature set that will cater to any front-of-house or monitor engineer's needs.
The SD10-24 is a 25-channel version, which has two banks of 12 motorised faders and one master fader; but has all the same power and functionality as the larger SD10 but in a smaller frame comprising 24 main channel faders and a master fader.  

Scratching the surface

SD10-24 features two banks of 12 motorised faders and one master fader, each of which benefits from its own high resolution LED bar graph meter. In the centre of the worksurface sits the familiar 15-inch backlit colour-keyed TFT touch screen, home of the console's super-intuitive control interface.

The sheer intelligence of the SD10-24 means even the most complex of tasks become quick and easy: engineers can recall or save presets on the channel strip; and recall or save snapshots using the master screen or hard wired switches on the console. In addition, special functions can be assigned and accessed instantly via the console's 40 Smart Key Macros (accessible via four layers of 10 RGB backlit keys) at the push of a button. It really is that simple.

What's under the hood?

The SD10-24 boasts 132 processing channels at 48kHz/96kHz, Standard channel processing, whether inputs or outputs, includes Channel Delay, Single and Multi Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ with band curve selection, DiGiCo's DYN 1 (Compressor, De-esser or Multi Channel Compressor) and DYN 2 (Gate, Compressor or Ducker).

The console also benefits from 218 Dynamic EQ processors, all of which can be assigned to any of the input or output channels. These powerful processors offer Dynamic processing on each of the four standard parametric bands, plus there are also 218 Multiband Compressors and 218 DiGiTubes; and no matter how the console is set up, the user won't lose any resources, as all channels are equipped to provide the same high quality signal path and feature set.

The master section incorporates 24 gangable 32-band graphic EQs, 24 stereo effects (selectable from a palette of 33), and 24 control groups (VCAs); and using snapshots, engineers can now switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even at a show.

We've included 56 busses, which can be configured as groups or auxiliary; and in addition to these busses, for further configurability, we've provided a 24 x 24 output matrix, dual solo busses, and a Master buss.

Unlike all other digital console manufacturers, you don't lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.

I/O

At the rear of the SD10-24, there is an abundance of local I/O: eight mic inputs, eight line inputs, eight mono AES I/O, two MADI connections with redundant cabling connections; and 16 GPI and GPO connections with the option to expand to 32 GPI and GPO.
The SD10-24 also works seamlessly with the DiGiCo SD-Rack, which delivers up to 192kHz high resolution analogue conversion. This opens the door to a wealth of interfacing options and provides the user with even further flexibility: when used with the Optocore interface, up to 14 SD-Racks and five redundant engined consoles can connect to one optical loop, which means a massive 1152 I/O connections are achievable (56 inputs and 56 outputs per SD-Rack).
In addition, there is an optional DiGiCo SoundGrid module which, when linked to an external PC server such as SoundGrid or DiGiGrid, provides the user with instant access to 32 fully integrated low-latency Waves stereo Multi Racks, each with the ability to have up to eight plugins per rack.  That's 128 I/O - and as you'd expect from DiGiCo, this is all additional I/O.
All Waves compatible plugins are pre-loaded, and as this is integral within the console, you have the added advantage of touch screen control; and all shapshots and session files are saved within the console.

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Options

The following options are available:

Specifications subject to change without notice. E&OE

SD10-24 : Downloads

DiGiCo SD10-24

Live Digital Console with Stealth Digital Processing™

Download PDF Brochure

Looking for recent install and sound rental user stories featuring the DiGiCo SD10-24?

We specified the D5s for the Glam stage because they cope very well with complex, multiple-band productions. With very limited rehearsal time, they are easy to set up and it is very straightforward to store and recall the settings for each artist.

Derrick Zeiba - Sound Designer for The BRIT Awards

Our well-trained staff of engineers found the D5 very easy to navigate. In our opinion, you cannot find a better digital console for the money. There are more costly boards out there that, by our estimation, simply do not compare to the D5.

Scott Belin - The Second Baptist Church

DiGiCo is renowned for its support and the stability of its consoles. We are all very happy with our console choice and haven’t looked back since we changed to using them.

Jonny Lucas - FOH Engineer - Biffy Clyro

I have used a lot of the digital consoles out there and my preference is DiGiCo. I picked the D1 for this tour because of the audio quality and ergonomics of the desk, and because of the desks small footprint. The richness of the bottom end and the clarity of the top end is something I have not found in other digital consoles.

Seth Kendall - Monitor Engineer - The Smashing Pumpkins

We have been using DiGiCo consoles for six years at fortyeight.tv and the quality of the products is what keeps us working with them.

Francois Wilmet - Fortyeight TV

We needed a smaller footprint on both ends of the snake, and while production cost was a big issue for us, we did not want to give up audio quality. DiGiCo has always had great reliability and audio quality, and when the SD8 was available, it was a great choice for us. Sonic quality is great, it has exceeded everything that I hoped it could be.

Jason Macalik - FOH Engineer - Miranda Lambert
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