DiGiCo Digital Mixing Consoles

SD10-24 MAIN FEATURES

  • 132 Input Channels
  • 56 Aux / Sub-Group Busses
  • LR/LCR/LCRS/5.1 Master Bus
  • 24 x 24 Full Processing Matrix
  • 2 Solo
  • 218 Dynamic Equalizers
  • 218 DiGiTuBes
  • 218 Multiband Compressors
  • 24 Digital FX
  • 24 Graphic Equalizers
  • Optional Waves Integration
  • 48/96kHz Sample Rate
  • Factory Order only Optics

SD10-24 : Overview

DiGiCo SD10-24: “Powers of Ten explained...”

The SD10-24 includes many of our flagship SD7's features and benefits, including Stealth Digital Processing and floating-point Super FPGA technology, and provides a fully-loaded feature set that will cater to any front-of-house or monitor engineer's needs.
The SD10-24 is a 25-channel version, which has two banks of 12 motorised faders and one master fader; but has all the same power and functionality as the larger SD10 but in a smaller frame comprising 24 main channel faders and a master fader.  

Scratching the surface

SD10-24 features two banks of 12 motorised faders and one master fader, each of which benefits from its own high resolution LED bar graph meter. In the centre of the worksurface sits the familiar 15-inch backlit colour-keyed TFT touch screen, home of the console's super-intuitive control interface.

The sheer intelligence of the SD10-24 means even the most complex of tasks become quick and easy: engineers can recall or save presets on the channel strip; and recall or save snapshots using the master screen or hard wired switches on the console. In addition, special functions can be assigned and accessed instantly via the console's 40 Smart Key Macros (accessible via four layers of 10 RGB backlit keys) at the push of a button. It really is that simple.

What's under the hood?

The SD10-24 boasts 132 processing channels at 48kHz/96kHz, Standard channel processing, whether inputs or outputs, includes Channel Delay, Single and Multi Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ with band curve selection, DiGiCo's DYN 1 (Compressor, De-esser or Multi Channel Compressor) and DYN 2 (Gate, Compressor or Ducker).

The console also benefits from 218 Dynamic EQ processors, all of which can be assigned to any of the input or output channels. These powerful processors offer Dynamic processing on each of the four standard parametric bands, plus there are also 218 Multiband Compressors and 218 DiGiTubes; and no matter how the console is set up, the user won't lose any resources, as all channels are equipped to provide the same high quality signal path and feature set.

The master section incorporates 24 gangable 32-band graphic EQs, 24 stereo effects (selectable from a palette of 33), and 24 control groups (VCAs); and using snapshots, engineers can now switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even at a show.

We've included 56 busses, which can be configured as groups or auxiliary; and in addition to these busses, for further configurability, we've provided a 24 x 24 output matrix, dual solo busses, and a Master buss.

Unlike all other digital console manufacturers, you don't lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.

I/O

At the rear of the SD10-24, there is an abundance of local I/O: eight mic inputs, eight line inputs, eight mono AES I/O, two MADI connections with redundant cabling connections; and 16 GPI and GPO connections with the option to expand to 32 GPI and GPO.
The SD10-24 also works seamlessly with the DiGiCo SD-Rack, which delivers up to 192kHz high resolution analogue conversion. This opens the door to a wealth of interfacing options and provides the user with even further flexibility: when used with the Optocore interface, up to 14 SD-Racks and five redundant engined consoles can connect to one optical loop, which means a massive 1152 I/O connections are achievable (56 inputs and 56 outputs per SD-Rack).
In addition, there is an optional DiGiCo SoundGrid module which, when linked to an external PC server such as SoundGrid or DiGiGrid, provides the user with instant access to 32 fully integrated low-latency Waves stereo Multi Racks, each with the ability to have up to eight plugins per rack.  That's 128 I/O - and as you'd expect from DiGiCo, this is all additional I/O.
All Waves compatible plugins are pre-loaded, and as this is integral within the console, you have the added advantage of touch screen control; and all shapshots and session files are saved within the console.

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Options

The following options are available:

Specifications subject to change without notice. E&OE

SD10-24 : Downloads

DiGiCo SD10-24

Live Digital Console with Stealth Digital Processing™

Download PDF Brochure

Looking for recent install and sound rental user stories featuring the DiGiCo SD10-24?

We could not have made this work as fluidly as it did without being able to get as in depth with the Scope programming as a DiGiCo console allows you to, and, because it worked so well, it allowed me to concentrate on mixing the show rather than having to think about hundreds of parameter changes.

Tom Aspley - FOH Engineer - Edinburgh Military Tattoo

The main reason I use DiGiCo desks is that the sonic quality is the best in the business.

Hughie Boyle - Engineer - Daniel ODonnell

I have been mixing on DiGiCo consoles since the start of 2003, and was an analogue guy up to that point. But, since first using a D5, I have never looked back. The SD7 in particular has an even easier work surface to use and that made it an easy console to jump on. From its color-coded knobs, to indents on the graphic EQs, to very clear accurate metering, to easy socket file set up, to bigger and clearer screens with so much information in front of you... there are too many extras to list! I love it! Need I go on?

Paul Ramsay - FOH Engineer The Who

The SD7 is a natural progression for me, having worked on a D5. I truly believe this is the best sounding, standalone digital console on the market

Mike Mule - Monitor Engineer for Nickelback

DiGiCo is renowned for its support and the stability of its consoles. We are all very happy with our console choice and haven’t looked back since we changed to using them.

Jonny Lucas - FOH Engineer - Biffy Clyro

I do not want to trash the previous console that we used as it served us well for 9 years on the GRAMMYs, but there is no comparison, and everyone from the NARAS members, to the guest mixers, and of course, all of the audio crew, noticed an immediate difference.

Ron Reaves - FOH Engineer - The 54th Grammy Awards
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