MiNi-DiGiRack
Compact 4U High I/O Rack
The MiNi-DiGiRack was designed to give even more flexibility to the D1 and D5 live systems. The 19 inch rack mount unit itself is just 4U high. It houses two power supplies with separate mains connectors and switches. The MiNi-DiGiRack can be fitted with a Standard MADI pod or even an Optical MADI pod. The back plane allows any slot to be either input or output for analogue connections, or both in and out for digital connections, such as AES/EBU.
The MiNi-DiGiRack is so flexible that it can perform many functions, for example:
It can be a local rack for front-of-house, allowing outboard equipment such as external effects, CD players and recorders to be connected to the console; it can be fitted with 32 AES/EBU for record and playback to external multitrack machines; it could have 32 Mic inputs and an optical interface, allowing 88 inputs from stage when added to an existing D5 Live 56EX; and 32 outputs could be fitted for extra feeds for a monitor console, extra IEM feeds or for multi-speaker venue applications such as theatre.
Related Information
its digital technology allowing settings to be recalled exactly as set during rehearsals, with the user-friendly interface enabling the mix to be fine-tuned live – the digital domain with a human touch!
Adriano Brocca - Adriano Celentano
When we got started, being a new company, we wanted to come in with the hottest new piece of gear on the market and the DiGiCo D5 was the new badass console on the block. The D5 epitomized what the whole digital desk concept was about. We established the company with the D5, so it made sense that when they came out with the SD8 a smaller, more affordable digital desk we should move on to that as well.
Howard Jones - Digital Console Rental
I had all incoming channels double patched into the D5 to have two different mixes - one for the front system, the other for the in-ear monitoring system. To differentiate easily between the mixes, I put the channels on different layers, which means I was still able to retain clarity for both mixes. The separated mixes had their own EQ and dynamics, so I could also do adequate and individual settings for the monitor system. In this particular situation, one D5 digital console could fulfil all requirements to the complete satisfaction of the band and the audience.
Roger Wagener - FOH & Monitor Engineer for Texas Lightning
The DiGiCo D5T package is a significant part of the owner-specified equipment that we are installing
Tom Young - Altels Project Engineer
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