DiGiCo DS00
DiGiCo DS00
 

VERSATILE
DIGITAL CONSOLE

For Film, Post, Broadcast and Recording
 
DS00 Console Highlights

DS00: User friendly operation and robust, road proven technology

  • A standard 17-fader work surface, expandable to 49 faders (each of which can be made mono or stereo)
  • 64 channels of full processing, expandable to 160 channels
  • 40 busses; Stereo, LCRS, 5.1 and 7.1 surround mixing with a 40x8 monitor matrix
  • Full Dynamic and Snapshot automation
  • On-board FX option with automation; audio and file network options
  • Broadcast S/W enhancements
 

Expandability is a major benefit of this versatile platform, with a choice of four dedicated Expander units. The input fader count can be expanded from the standard 8 up to a maximum of 40 by adding up to four extra EX-00 eight-fader units, each with a TFT touchscreen and full metering. You can tailor the console for large scale feature film mixing with the FP-00 Expander, or insert outboard equipment or a hard disk editor controller in either the rack or control surface with the HD-00 Expander. All of which makes the DS-00 the true heart of a system both now and in the future.

Worksurface

The standard feature set is comprehensive, but fast and intuitive to control thanks to the DS-00’s well equipped control surface and two large, high resolution TFT touchscreens (with an SVGA output for external overview monitoring). Virtually all functions are just one or two presses away, with no complex menu structures to navigate or impede the creative flow, and there’s a generous amount of both tactile and visual feedback to keep you fully in the picture at every moment.
Input assign allows you to bring a second full input section into the master section, allowing the operator to see 16 full channels’ worth of information simultaneously for maximum visual feedback. The switchable PPM/VU meter bridge is accompanied by dedicated assignable meter outputs, allowing any buss to be independently metered.

Engine

A powerful DSP engine inside the rigid steel and aluminium chassis provides every channel with full processing and full functionality at all times, ensuring consistent performance no matter how many features are in simultaneous use. The optional effects package comes with its own dedicated internal DSP card.
Each individual channel is equipped with eight equalisers – six fully parametric bands, plus high and low pass filters in the side chains – plus dynamics and access to all 40 busses.
Every buss is freely assignable between group busses and auxiliary busses. Up to 36 (with V4 software) aux sends can be created in a mixture of mono and stereo, while group busses can be mono, stereo, LCRS, 5.1 and 7.1, allowing simultaneous multi-format mixing and all the fold-downs you need from any format, with stereo and mono compatibility checking.
Multiple channels can be ganged together, making it easy to input 5.1 signals or predubs on a single surface fader. Offsets can be individually applied to each leg of the source by momentarily removing them from the gang.
Eight user-definable Macros can fire either individual or multiple functions on the console, allowing the operator to create presets that handle multiple functions at the press of one button.
MIDI implementation allows programme changes to be fired from the console to recall outboard settings, and the console can be controlled externally via MIDI continuous controllers for remote snapshot firing. A full transport control section with jog and shuttle controls your machines via RS422 9 pin and MIDI machine control, with SMPTE, MIDI and 9 pin outputs
Automation is powerful and flexible, too, and includes the ability to record and play automation at any speed, forwards or backwards. Off-line editing facilities include a full real-time automation display, and the ability to insert blank automation and cut automation based on the picture source. Write to Start and Write to End functions make it straightforward to insert automation across a whole scene or a section.

I/O

The standard DS-00 system, comprises, 8 analogue inputs, 16 analogue outputs, 24 AES I/O with sample rate conversion per XLR, and a dedicated MADI input and output to connect to any hard disk recording/plug in unit. As with all DiGiCo products the I/O is custom configureable.

Options

View Full Specifications
For this product

Analogue inputs
Quantization range 24-bits
Frequency response 20Hz-20kHz +/-0.2dB
Level linearity deviation 0dB to  90dB <0.3dB
Phase difference between channels 20Hz to 20 kHz <2 degrees
Channel separation 100Hz to 10kHz >90dB
Total harmonic distortion 100Hz to 10kHz <0.004%
Maximum input level (at unity gain) mic and line +22dBU
Microphone equivalent input noise (150 ohm, 60dB gain) -127.5dB
Maximum analogue gain (mic and line) +60dB
Mic input impedance >1k ohms
All other analogue inputs impedance s >5k ohms

Analogue Outputs
Quantization range 24-bits
Frequency response 20Hz-20kHz +/-0.2dB
Level linearity deviation 0dB to  90dB <0.3dB
Phase difference between channels 20Hz to 20 kHz <2 degrees
Channel separation 100Hz to 10kHz >90dB
Total harmonic distortion 100Hz to 10kHz <0.004%
Idle channel noise ratio <103dB
Maximum output level +22dBU
Output impedance 50 ohms

Digital I/O
AES/EBU 4bit (with sample rate converters)
MADI 56 channels of 24 bit audio
OPTICAL (Option) 512 channel redundant optical loop

Clocking
Clock sources
Internal 32, 44.1 and 48kHz using a high stability numerically controlled oscillator
External From any digital input Black burst 75 ohm video reference and Wordclock I/O

Sample range 30kHz to 50kHz

Power requirements
Console 87 to 260v AC 50/60Hz autosensing. 300 watts max
Audio rack 87 to 260v AC 50/60Hz autosensing. 150 watts max

Note: All measurements are made with a 22Hz to 22kHz filter and RMS detector.

Channel Equaliser
High pass filter
High pass slope -12dB/octave
High pass frequency range (-3dB) 20Hz to 20kHz

Low pass filter
Low pass slope -12dB/octave
Low pass frequency range (-3dB) 200Hz to 20kHz

High band
Mode 1: Bell
Gain range +/-18dB
Frequency range 20Hz to 20kHz
Q range 0.1 to 20
Mode 2: High Shelving
Gain range +/-18dB
Frequency range 20Hz to 20kHz
Q range 0.1 to 0.85
Mode 3: Low Pass
Low pass slope -12dB/octave
Low pass frequency 20Hz to 20kHz

Upper mid band
Gain range +/-18dB
Frequency range 20Hz to 20kHz
Q range 0.1 to 20
Lower mid band
Gain range +/-18dB
Frequency range 20Hz to 20kHz
Q range 0.1 to 20

Low band
Mode 1: Bell
Gain range +/-18dB
Frequency range 20Hz to 20kHz
Q range 0.1 to 20
Mode 2: Low Shelving
Gain range +/-18dB
Frequency range 20Hz to 20kHz
Q range 0.1 to 0.85
Mode 3: High Pass
High pass slope -12dB/octave
High pass frequency 20Hz to 20kHz

Channel Dynamics
Compressor
Threshold range -50dB to 0dB
Attack range 500uS to 100mS
Decay range 10mS to 10S
Ratio range 1:1 to 50:1
Gain make up range 0 to 40dB
Gate
Threshold range -50dB to 0dB
Attack range 50uS to 100mS
Decay range 5mS to 5S
Hold range 2mS to 2S
Gate depth range 0 to -90dB

Output buss limiter
Attack time 1 audio sample
Threshold range 0 to  50dB
Release range 5mS to 5s



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The technology in the SD7 is light years ahead of any other product in the marketplace. With the proven DiGiCo touch interface, along with the built-in redundant engines, MADI ports, dynamic EQ and compression on every channel, 64 integrated stereo effects, a routing pool of 1392 connections and cool video interface, the SD7 is a world class console in every respect.
Jack Boessneck - Eighth Day Sound

Our rental customers in live touring, events, television and theatre expect Ampco Pro Rent and the Synco Europe Network to offer state of the art in audio equipment. The SD7 represents the latest in a long line of innovations from DiGiCo, with a large number of important advancements that offer more creative and logistical possibilities for all kinds of productions.
Fred Heuves - CMO Ampco Flashlight Group

 
Outside Broadcast

The DS-00 is ideally suited to live-to-air mixing with its straightforward layout and on-screen channel strip displays. The optional broadcast kit brings with it all the key features and functionality required in modern analogue and digital broadcast, while its compact but expandable size, powerful feature set, and ability to route any input to any channel and route busses to multiple outputs, makes it ideal for both small and large OB applications. The Optocore™ option makes it possible to run longer distances via fibre optics as well as providing straightforward connection to any DiGiCo D Series live sound console.

The application software can also be installed on a standard desktop or laptop PC for off-line configuration of the whole console, then loaded into the console prior to broadcast via a USB key.

An unlimited number of snapshots with full scope and timing makes it possible to set up complex audio follow video sequences to fit in with sports and variety show programming. A conveniently located Next / Previous button provides easy control of snapshot firing.



Music Recording

The DS-00’s expandable work surface and the modular I/O rack frames make it simple to tailor the system to fit in with existing music studio outboard equipment, and with the expandable channel count large mixes can be created with unrivalled visual feedback.
By adding the onboard effects to the system the engineer has access to four stereo and up to two 7.1 effects processors, all with full save and recall automation.
Multiple sample rates can be run simultaneously through the console, perfect for smoothing the transition to the higher rate. Multiple sets of monitors can also be run simultaneously, allowing A/B comparisons between the two.



Onboard FX

The optional onboard effects package provides six simultaneous effects – four of them stereo and two up to 7.1 – including reverbs, delays, chorus, flange, output processing and more. The channel upgrade option allows channels to be added to the console up to a maximum of 160 channels. 24-bit I/O expansion is available in blocks of eight in any of the following formats: analogue line/mic; line outputs; AES/EBU I/O with full sample rate conversion; ADAT optical and TDIF I/O; and up to four MADI I/Os for a total of 224 inputs and outputs.



Net-Tracs™

File sharing and Optocore™ audio networking allow multiple consoles to be connected together. NET-TRACS™ is ideal for a multi-room facility, with a DS-00 in each room connected via a CAT-5 network, allowing file backups and for projects to move from room to room, including settings for automation and onboard effects. The complete DiGiCo console range is also fully compatible, allowing file sharing between different models. With Audio Network a local rack is provided per console and control room, providing local I/O. Shared racks can be connected to the system via fibre to all rooms, allowing any room to pick up I/O in blocks of eight on a redundant loop.



Expansion

The DS-00 system is rounded off with three distinct types of optional Expander Units including:

EX-00 8-Fader Expander Unit:
Up to four EX-00 eight-fader expansion units, each with a TFT touchscreen and full metering, can be added to extend the console to up to a 49-fader surface. Every channel has the same full processing including eight equalisers – six fully parametric bands, plus high and low pass filters in the side chains, dynamics and access to all 40 busses – per channel.

FP-00 Film Panel Expander Unit:
Configured specifically for mixing large scale feature films, with dedicated paddle switches to buss/tape switch, and user presets that allow the engineer to recall the routing of sources to each paddle during the session.

HD-00 Expander Unit:
19in rack or surface mounted section, which allows the user to drop in either external outboard gear or a hard disk editor controller.