
Audio Logic Systems Enhances Its Rental & Production Stock With The Addition Of DiGiCo SD8
May 2009
In today's highly competitive, audio production business, keeping on the cutting edge of technology and providing the best possible equipment is critical. For 18 years, Bloomington, Minnesota’s Audio Logic Systems has done just that, by offering integrated audio, video and lighting services—including event production support, system and overall product consultation. When the need arose to add an additional digital console to its production stock—to do double duty as both a rental and production tool—ALS looked no further than the DiGiCo SD8 as a great complement to their d&b audiotechnik inventory. Within days of taking delivery of the SD8, ALS has the desk booked on a series of small-to-mid-sized events over the course of the next few months, with its first large, main-stage event, "Lifest 2009", scheduled for early July. "The more I use the SD8, and the more I get into configuring it for the way I want to mix, the more I like the console," said Coutu. "Previous to the SD8, we've used Yamaha digital consoles, but as of right now, we don't feel that there's another console on the market than can compare to the SD8 in terms of flexibility, sonic quality, size, and price point. The SD8 is definitely an upgrade from all other digital consoles." "We try very hard not to become stagnant. We don't do things because ‘that's the way we've always done it’; new and better ideas are always welcome. After spending time on the console, I can say that the SD8 is definitely newer and better than other digital consoles. Plus, the technical sales support from DiGiCo is second to none. DiGiCo has always had a reputation for great sounding audio consoles, and its product support is equally great. Even just a simple question on setting up the console is answered immediately. It's nice to know that there is a network of committed professionals that truly understand the world of live production, and that are just a phone call away."
"We're both a production company as well as an installation and retail company, and have worked very hard to do both with a higher quality than any of our respective competitors," said ALS Production Manager, Ed Coutu. "We have always purchased the most compact, lightest, most powerful, and highest quality equipment on the market. There isn't a digital console on the market that fits that description better than the SD8…. The SD8 gives us a world-class console with a digital snake splitter for the high quality events we do in venues of all sizes. Also, as a systems integrator, it is critical that we are using the cutting edge technologies in our live shows. This allows us to be the leader in the House of Worship and Theatre installation market."
Several of the factors that led Coutu to the newest DiGiCo desk were its integrated digital features, along with its compact footprint. "I first saw the console at LDI," Coutu recalled. "Once I realized it could be integrated with any of the DiGiCo racks including the DiGiRack, and allowed for a true digital split with gain tracking, it really became an attractive console. We wanted a console with an integrated digital snake and digital split; we weren't interested in carrying an analog split, or a third party digital snake. Also, keeping the console to a small footprint was desirable for us, and the SD8 and the DiGiRack allowed us to replace a lower quality digital console with an analog split snake, and use LESS truck space. The integration of a larger screen was also a bonus, and allowing any of the 60 input channels to be mono or stereo (that’s 120 live XLR inputs!) was a smart use of their new Stealth Digital Processing. Top it off with the 66 output busses, and it becomes a huge system."
Ultimately, though, Coutu says by utilizing the most transparent—both sonically and visibly—equipment, it allows the message on stage to be the highlight of any show or production. ALS has been successful in this by staying current and relevant in the technology arena.
Press Contacts:
Dave Webster at DiGiCo
Tel: +44 1372 845600
Email: webby@digiconsoles.com
Web: www.digico.org
Diane Gershuny
DGPR
Tel: 562-366-8869
Email: dgershuny123@gmail.com
IMAGE: L-R:
ALS Staff: Joelle Coutu, Ed Coutu, Jason Kartak, John Markiewicz, Bill Shirley, Patrick Olson and Nic Hentges
Click on image(s) above for high resolution version(s)
I had heard a lot about the great sound of DiGiCo consoles, so I decided to try them out. I tried the D1 and was amazed at the quality of the preamps, the EQs and the dynamics. Even my reference CDs sounded better over the PA when routed via the D1 - I could hear details I had never heard before.
Raphael Rupprecht - Technical Director - Concept Solutions
It was a fairly standard mix set-up, but we did save snapshots of all the different acts during the afternoon rehearsals. For the show, Matthew was able to recall the snapshots for each performance and it worked a treat. It was an incredibly efficient way of doing a one-day event.
Paul Smith - Apex Acoustics - Owner
The SD7 performed faultlessly throughout the night, as three bands were recorded live to both disk via Pro Tools and digital tape backup. This project has been running at RMIT for four years. And this recording, using the SD7, has been the most successful and trouble free.
John Phillips - RMIT
I simply do not have enough inputs with any other desk. I am using 250 inputs with this show. There is no desk in the world that could do this except for the SD7.
Patrick Demoustier
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