"When I heard the mix feed in the more controlled environment of the broadcast truck, it sounded fantastic!"
"DiGiCo consoles have certainly found their niche within the professional touring community. Everybody loves how they make our PA sound all thanks to the quality sound of the DiGiCo console and the British pre-amps. Once they experience that, they fall in love."
"Once I got the full orchestra in for the initial soundcheck, I had the console up and running in 15 minutes. We then threw in the cast for a complete run-through and I had the console pretty much dialed in after the second group song - with a couple tweaks here and there to compensate for the actors who put on hats during the course of the show. Having a digital desk for this kind of thing was invaluable. I was able to store EQs for those actors in those scenes, so when the lead character puts on a hat, you can have that EQ stored on that channel to compensate. The versatility of being able to program your EQs and dynamics, scene to scene, was amazing."
"It sounds exceptional. Comparing it to digital consoles by other manufacturers at a similar price point, the DiGiCos sound and hardware quality is miles ahead. Having clean preamps is great. Everyone who has seen and used it loves it."
"We already have a good inventory of DiGiCo consoles and products, so we would have naturally added an SD7 to this in 2008. We were specifically asked to provide one for the Kylie tour we are undertaking and so we have invested a little earlier than planned."
"We did the month-long Julien Arpetti tour and everything we needed was there on the desk. We also used the RME-Madi-Converter and Logic Pro on a Macintosh laptop for recording, so straight away we were doing virtual soundchecks with it. And, of course, it sounded fantastic!"