Twenty years ago, converters changed from 16 or 18-bit to a new, improved resolution of 24-bit. This additional 8 bits of converter resolution was instantly audible and created a demand for 24-bit quality. At Prolight+Sound 2017, DiGiCo will show and, more importantly, allow attendees the opportunity to hear, a newly designed 32-bit 'John Stadius' Mic Pre-Amp for the first time. John and his team have been designing Pre-Amps for over 40 years. Now, this new improvement in converter technology has allowed them to develop a Pre-Amp with audio qualities that they have long aspired to achieve.NEW 32bit Mic Pre-Amp Card
In 2015, DiGiCo launched its compact S-Series, which boasted a modern workflow at an affordable pricepoint; last year, the whole SD Range became much more powerful thanks to the introduction of Core 2 Software across the board; now, in DiGiCo’s 15th year, meet Project Vulcan, the new SD12. The SD12 is set to raise the bar in terms of what users will now come to expect from a compact, affordable, multiapplication digital console.NEW SD12 CONSOLE ALL CONSOLES
The new DiGiCo S App is the perfect way to control your DiGiCo S-Series console straight from your Apple iPad. Designed to be compatible with DiGiCo's S21 and S31, it allows remote, wireless control of any DiGiCo S-Series mixing console wherever you are. The DiGiCo S App permanently displays an overview of the console layout, so you can select any available console bank and have the same user-friendly operation you are already familiar with, without being tied to your console.NEW S-Series iPad App
STEALTH CORE 2
Put a rocket in your DiGiCo console
DiGiCo's range of mixing consoles already sets the world standard. The implementation of a Stealth Core 2 upgrade will take take them into the stratosphere. Über-friendly in use, a Stealth Core 2 upgrade delivers even a barrage of enhancements that will keep your investment safe well into the future.
Take the time to see what our users say about DiGiCo...
DiGiCo’s technical support has been second to none!
Phil Wright - BBC Proms
The SD7 has to have one of the largest output buss counts out there and is arguably the most flexible system, as far as routing anything anywhere. And with the SD7s A and B engine we didn’t have to rent extra desks or engines for redundancy
Matt Manix - Nashville Method Production Group
The DiGiCo consoles performed fantastically.And the sound was just great. The SD5 really came through sonically.
Patrick Baltzell - Sound Designer + FOH Engineer - Super Bowl XLVIII
In my opinion the sonic quality and flexibility of DiGiCo consoles is unmatched
Nick Burns - Forefront Productions
I am using an SD8 for the first time for small showcases, small concerts and live radio here. It is great and I can do what I want with no problems. It is the third year I have worked at the festival, but the first year with this console. It is a great product. It sounds great.
Ghislain Butscher - Montreux Jazz Festival
I have used a DiGiCo console on numerous other tours. First and foremost the console has to sound good. For me this is the most important feature. Working with someone like George Michael means the sound requirements are very exacting. The desk has to deliver a sonic image as close as possible to that of the original CD. I think DiGiCo has produced a digital desk that is sonically on a par with any of the top of the line analogue desks. The transition from analogue or other digital consoles is very straightforward.